Daan’s interest in surrealism, and dadaism in particular, combined with his work as an architecture photographer, led Daan on his way to becoming a photographer of the ‘wondrous landscape’.His photographs are single shots, not assembled in post production. They are meant to solicit contemplation and not to express his own view on the matter. It is up to the viewer to form an opinion whether or not a particular instance of human influence on the landscape is acceptable or not.

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